I agree for the same reason: seeing more of the tower. I changed the varicolor to be a slightly darker yellow.

Here are a few more options. Top left is from DD3 Creatures (tried to make it look like it was crawling up the tower), top right is from CA15 Heraldic Symbols, and the bottom two are from Shessar's heraldic symbols (dragon on left, wyvern on right). I'm leaning towards Shessar's wyvern in the lower right.

Realized I didn't have any stains or scum, so added a bit. Really love how this template includes so many different effects options for adjusting the coloring.

Here is the basement of the temple:

Toggle: SECRET layer to show/hide the secret passage escape route.

Description

Although trainees and junior monks live in barracks on the monastery’s grounds, the more senior monks have quarters in the temple’s basement, where trainees may join them for the final meal of the day. The basement also includes a kitchen and a crematorium, which share a chimney that rises outside the temple on its northwest side. Senior monks are interred in sarcophagi in the temple’s crypts when they pass away, but trainees and junior monks are cremated, with their cremains interred in urns in a columbarium.

A circular room that connects to the crypts is used for funeral services and other rituals. There is a teleportation portal here that the senior monks can use to access the Zhao Guang Si’s Trials of the Elements. Trainees who survive those trials will be teleported where upon completion of all four trials.

Ralf does demonstrate it at the end of this "Fractal Terrains to Parchment World" tutorial (around the 38 minute mark), using a full world Parchment Map that he had created the week before.

I played around with Edge Fade settings on the TERRAIN ROCK sheet and settled on an Edge Width of 4 units, an Inner Opacity of 100%, and an Outer Opacity of 25%. (In comparison, the grass, earth, and other textures have a width of 15 units, an Inner Opacity of 100%, and an Out Opacity of 0%.)

Here's how it looks full size, plus a few coastal zooms.

I first started with Dungeons & Dragons in December of 1979. !!! Back then, our maps were hand-drawn on graph paper, or store-bought modules that were only slightly more sophisticated than graph paper. Played off and on with different groups for decades.

In 2017, having not played for nearly a decade, I started to create my campaign world. I searched for mapping software and the Internet's consensus was that Campaign Cartographer was both the most powerful and the hardest to learn. Sounds like a challenge! I used my tax refund to buy everything except the annuals (which I didn't understand)...and failed.

I've always been a visual learner. I retain more from reading a book than from listening to the audio version of it. I thought I could teach myself from the PDF manuals. I got some basic concepts, but I didn't really get them. I fiddled around with the software but everything looked awful. (They might have looked slightly less awful if I knew how to turn on sheet effects.)

Then COVID hit in 2020, and with a lot of not-leaving-the-house-time, I revisited my world-building, but not map building. It wasn't until mid-2023 (six years after buying the software!) that I finally decided to start watching some of the tutorials. The obvious thing to everyone except me: videos aren't just audio, they are also visual. Things started to click. And then I became addicted to the videos. To see a blank canvass come to life and turn into a work of art! And then to start mapping: even more addicting! I've mentioned this before, but it is really stimulates left brain/right brain simultaneously. There's the creative part about creating a work of art. But there's also the analytical/problem-solving part about how to do that with textures and symbols and optical illusion sheet effects. I posted my first map here (not the first map I created, but the first I posted) in January 2024, and it's been full speed ever since.

I decided against trying to "erode" the levels of the ziggurat. It was a lot to change, and I decided that I will keep the technique in mind next time I do one. Instead, I focused on adding layers of the sand texture to each level of the temple (except for the top portion that the priests are more diligent about sweeping). I tried to vary the patterning by starting drawing from different corners, but I'm not sure that helped much. I might alternate which of the sand textures are used, as I did set each to different scalings. I like the color and scaling of #4 the best but I really should change it a little so you don't see angled paths of no sand like on the north face.

I also added the edge of a mountain using the same techniques as the dunes, but with the bevel isn't smoothed as much, and I used a dark brown earth fill. Maybe I should move the mountain to the NW or NE corner?

Round 3! These fog symbols are scaled at x4.

Ooops, just noticed that I overlooked a change in Spring that I had intended: changing the farm fields to just furrows, since it's spring and the crops were just planted and wouldn't have come in yet.

Made some good progress, including labeling some of the primary businesses and points of interest. I also widened it a bit to make room for a legend. The text was a little hard to read so I added a semi-transparent back. Let me know if it's still too hard to read, and what you'd recommend to help that (make the back less transparent? darker or lighter shade?)