The first of the Hilly Places of Interest is a rocky mound by the curiously narrow River Clack, Palace Heights:

No real sign of a "Palace" as such, although that maze of low, grassy features all over the slightly domed hilltop hints that something may have been here once. This is one of those Places I'd had an idea or two about before the project was too far along, and parts of this map will recur in a subsequent one from the Constructed Places, where the Palace isn't just a series of grassed-over ruins. Faerie time-dilation effects can permit all sorts of weirdness, and in this case, both the hill with ruins, and the hill with a fully-functional Palace, can coexist simultaneously in Embra. The particular one to be found - perhaps even both - dependent on how the city is navigated.

The original concept came about loosely because the real-world city of Edinburgh, which was an early influence for Embra, has its own great castle-palace, set upon a rocky pinnacle in the city, although the two aren't closely comparable beyond that, chiefly because each of the Places for Embra being unconnected from any others, has to be presented on a more-or-less standalone map, whereas Edinburgh Castle's rocky platform continues down into the adjacent street area leading up to it, known as the Royal Mile.

The next, fifth, group of Embra's "Places" is the Hilly Places of Interest, linked from the highlighted "Official Guide" map's inner circle segment:

Quite a packed link-map this time, with six individual mapped places to show, as well as the condensed "Streets", even if just four such routeways had to be set-up on one map this time.

Two neat knotwork designs reworked from the Dover Clip-Art "Celtic Borders on Layout Grids" book provided the focal elements in the map frame design here, once rotated, with a simple linear connecting outline to help highlight them, the curved piece and triangle's slope hinting at upland places at least, although another of the figurative Dover book designs, an eagle, was used on the other "Hilly" maps in this set as a further concession to upstanding terrain.

Which brings us to the last map in this group, covering the eight "ways":

While the seven streets were constructed randomly from the simple system I'd devised and used previously, the railway needed some further adaptations, reducing the angles turns and junctions could have, and such like. In drawing the final maps, I kept the roads deliberately free from as much obstruction as possible (vegetation and the proximity of the properties along each), since the essence of Travelling Places relates to movement. In the accompanying notes, I've suggested GMs should allow speedier normal movement when using any of these routes, as long as the party sticks to the way itself. And naturally, there are oddities. Such as the large, complex building shapes along Candlemaker Row, where sadly, I fear the giant standing candelabra that light this route at night will be barely visible, and likely unidentifiable, at the Forum's resolution on the above maps. So let's try this view instead:

That weird loop in Stave Lane came from the construction process alone, which was a pleasantly amusing surprise when I plotted-out what the dice had rolled for the first time, especially as it made Stave Lane - a name yielding expectations of being straight and direct - one of the most convoluted of Embra's mapped streets!

Heisenberg Terrace, naturally, isn't always there, while the bazaar in Cat Hall is run by a humanoid feline, Shrew Dinger... Go-By Street is easily missed too, without care (aside from being a test for people's knowledge of fantasy literature; a good spot to place The Genuine Magic Shop, perhaps - despite its different author). The literary origins of Everon Road's name might be an easier test though.

As for Runaway Railway, aside from the real-world city of Edinburgh (very loosely the inspiration for some of Embra's place-names, as well as its actual name) being a major railway centre in Scotland, it also has the surviving remnants of a far earlier horse-drawn passenger rail-line, the "Innocent Railway", so I felt I had to include a railway of some sort in Embra. It's obviously short and simple, though as with everything else in Embra, its size can be as deceptive as GMs require. Rather than get bogged-down in detailing the line's operation, I chose to have the rolling stock run by the magical forces of electrickery (see Wyvern Citadel on this, if necessary). Conveniently, the featured text - and remember, these things were chosen randomly! - involved lightning flashes, which made that decision very easy.

Moving on swiftly from the dubious delights of Toll Cross brings us to the cheerier Travelling Places segment of the Twilight Market, Market Row:

A colourful scatter of tents, wagons and stalls spills along and beyond the road here, and there's even a group of buildings, since for once, there is a more fixed settlement alongside the Market (or perhaps it grew up because the Market was here). Though the footprint of several buildings is large, particularly when contrasted against the much smaller market stalls, I opted to make them all merely single-storey structures, so the Market didn't get lost among the houses. Only the buildings have been provided with internal floorplans, which also helps clarify which they are, of course:

The individual darker trees are to match with the featured text notes, and I think something of the strangeness of Toll Cross lingered with me, as I decided not to name the open land between the two "Mirror" properties and the foot of Longing Hill, which the Market also seems to avoid, and simply kept it as an empty place the locals become evasive about if anyone asks. Quite why I've left for GMs to determine, however...

Travelling Place 1 is Toll Cross, which as we see, is an unusually heavily built-up area, surrounded by dense greenery, beyond which is open grassland or moor:

While the base-map was a similarly heavily-urbanised area, the nature of Toll Cross (and indeed even its final name) derived chiefly from the accompanying featured text, and especially that demonic satyr figure. The Impassable Hedges mean anyone wanting to visit the shops or houses here, or even just pass through it directly as a crossroads, is channelled into using one of the four access-routes. Then I adjusted the layout of the buildings slightly in places so those on foot can get to only a fraction of the properties inside unless they pass through the central Boulder Square, where Guess Who waits, like a spider in a web... This view is with the labels turned off to get a better impression of the settlement:

This looks a bit odd (or at least, it's meant to), with some strange rooflines, and what seem to be many towers. An extract from the accompanying text and PDF file may help explain:

Despite the range of building shapes and sizes, they all have just a single accessible storey at ground level inside, as the toggled view to show the building interiors indicates:

This also shows just how much some of the rooflines, and particularly those horn-towers, don't marry-up with the building outlines, yet the buildings, thanks to their lack of internal connections, further help block any attempts to avoid using Boulder Square. And if you try to fly in, it turns out those roofs aren't so immobile as they may appear...