Looking good!

I agree on the ground tracks point, particularly for the six and eight-wheelers as they had variations on independent steering per wheel group (and the four-wheelers had independent wheel drives too), so could give much broader overall track spreads.

It might be helpful to have an additional group of aerials to fit to the command vehicles variants (e.g. both the 231 variants, the 232s (6- and 8-rad) and the 222 variant 223), as these are such obvious fixed features in an overhead view, and they have to pass above the turrets, so would need to be drawn that way to allow for the turret pieces to rotate properly.

If you're including the 247, you might want to have the Kfz 13, and the variant Kfz 14 command vehicle - again, it has an overhead aerial, if no turret problem this time!

There are also the SdKfz 221, 260 and 261 (radio car variant of the 260), which you might be able to draw as simply variant top structures/turrets, as being similar to the 222 overall. The 231 (8-rad) headquarters variant, the 263 might be another possibility, along with the 263 (6-rad).

I'll go away now 😎

Yeah, I've been involved peripherally in a number of discussions elsewhere online lately regarding the use of AI art, including specifically that generated by Midjourney, because a lot of people - primarily artists - have become increasingly concerned about the direction this stuff is taking, most especially how the so-called AI systems are using artworks available online to generate their final images.

The matter is incredibly complex, and much of it remains uncertain, notably how copyright laws in various places pertain to AI-generated artworks, largely because they have never been legally tested this way (a couple of practicing US lawyers posted some very helpful discussions regarding the US situation a little while ago on one of the Discords I'm on, which were very enlightening in this regard).

I can do no better to help inform anyone here as to the current situation, than suggest those interested should read this blog posting from Dec 8th this year, by Jon Hodgson, a British "real" artist, RPG and game designer, who runs a company called Handiwork Games (which is where the blog is). Jon used Midjourney to generate much of the artwork in a new RPG he published this year, so he knows exactly what he's talking about from the genuine artist's perspective. He's also decided that any reprint of said RPG will have all the Midjourney artwork removed, to be replaced with his own, or other artists', real art, and he will not be using Midjourney, or other AI-generated artworks, again.

Personally, I've become very cautious about using any AI-generated artwork now, and would not do so in anything that wasn't purely for my own use.

Yep, I think many of us have learnt far more than we wanted to about the murkiness of copyright and IP laws in different parts of the world in recent months, thanks to events elsewhere in the RPG world.

Bottom line is it's probably safer to create your own new maps from scratch, than try copying anything someone else has done, however varied, especially when you're intending to make money from doing so.

@Fersus - If you have the solo rules ("Strider Mode") for The One Ring, which are only available as a PDF still, as far as I know, those do add some more journey options which could be adapted for group play, or perhaps would help spark ideas. I've not played TOR yet, but it did strike me when just reading through all the rules (I have everything that Free League have published for it so far) that a lot of the random result tables generally were too short, so would be apt to become repetitive. I like Ralf's use of pre-prepared options along with the random rolls to make things more interesting overall, since as GM, you can't always come up with some worthwhile variant every time the same roll comes up otherwise.

As Sue suggested, something to help the bars look more vertical probably would be helpful.

Maybe think of reducing the intensity of the shadows overall, given they don't really work with the light sources in the dungeon.

Some of the shadows - for the buckets and smaller round table - are also perhaps too large for what they are. The buckets probably shouldn't be casting the same length of shadow as the rack and dissecting table, for instance.

Not quite true, Sue, as from the northern hemisphere in summer, around June-July, the Sun sets in the northwest too. From much of Britain, that's around or indeed north of, true azimuth 315°. 😎

This is a pretty complex set of tasks you're hoping to accomplish here, but as long as you're happy to put in the work yourself, it should be perfectly possible. That may depend on how comfortable you are working with the mathematics of orbital mechanics, however, and exactly what degree of precision you're hoping to achieve.

I'm not aware of any tools that will allow you to do all of this in one, but you may find some of the tools linked from the Worldbuilding Links and Software page of the Orion's Arm Universe Project website helpful. Note that some of these are only available via the Wayback Machine archival website now, and may use older software types to function. I've not really done much with this in a long time, so can only hope some of it may assist!

Unfortunately, the few folks I know, or knew, who did this kind of thing tended to write their own programs to do it, and while that may be an option for you too, that's not something I've had any experience with, sadly.

Good luck anyway!

Stepping things up a little, for all the map is still a reduced-size one, Watery Place two is Bright-Eye Well:

Coming up with a magical well is a bit "shooting fish in a barrel" for RPG scenario-writers, but using details from the original base-map (which was actually for a subterranean barrow tomb) meant I could add some extra interest here, along with making it an open-air feature, a partly natural, partly quarried, hollow in the edge of a hillside. Not quite sure what it is about red and pink rocks that have held a long fascination for me, but I made an early decision that one of the main rock types that was going to keep recurring at Embra was red sandstone. And as luck had it, the second of @Loopysue's excellent sets of City Cliffs symbols comes with a set of red sandstone symbols and fills! So that was an easy choice.

There's a knack to using connecting symbols effectively. Sometimes that means turning-off their ability to connect, and placing them individually. Sometimes you can just let them "have their head" as it were, and make whatever pattern they will. Usually, that latter works fine for straight, gently undulating, or long curving lines. When it comes to more intricate structures, it can be better to opt for individual symbol placement. Here though, despite the strongly curving lines in a short space, I decided to try using the connecting-symbol option, and see what happened, because this area was meant to look as if it had been straight-edge carve-quarried in places. It took a couple of tries to get something close to what I wanted, and then a lot more tinkering to get the shadow effects to work OK (don't look too closely behind a couple of strategically-placed trees, that's all!).

Those familiar with northern English dialect may appreciate a couple of the more curious map labels, although the Fachin's Hole name derives from real-world folklore, as something I'd decided from soon after the shape of the base map for this drawing had been chosen. A Fachin is a Scots' Gaelic fearsome Faerie creature, with one leg, one hand that protrudes from its chest, a single eye and rough, spiky hair. Sometimes considered of giant size, its preferred lairs are lonely gorges and lakes. That overall shape seemed to fit with the cliff-line being a loose, crude profile image of such a creature, with the Well as its eye.

Try typing general keywords into the DriveThru search-bar - such as "mapping icons" or "map symbols". If you try to make the terms too specific, the search facility tends to get quite restrictive, so unless you know the name of a specific product you're trying to find, it's probably best to avoid them.

That 22-foot Roman Empire map is the Peutinger Table, aka Tabula Peutingeriana, and the Wikipedia page includes a high-res complete image of the whole - may take a while to load, however, as the full-size JPG is about 15 MB. This is the direct link to that Wikimedia image.