A couple of issues with the text in the close-up shots, where the "text acne" effect is happening to cause the contour lines to bleed through the lettering. You should be able to cure it by changing all the text's colouring to something slightly different to whatever the contour line colours are (or ditto the contour lines vs. the text if that'll be easier).

Also, are there really so many separate "Basilica Squares"? Seems unhelpfully confusing, and I can't imagine the locals wouldn't change the names very quickly to something more memorable for each one.

Need to beware their larger cousins the Tooth Thrids though - very vicious. Worse, they love Vegemite...

Hmm, yes. Not sure varicolor will really cut it for some of the metallics or gem colours especially, as varicolor always looks paler and faded because of the way the system applies it.

Thanks very much @Monsen!

You're doing well to get things done this quickly; I imagine this will be one of your busiest times of year for non-PF matters, coming up on the end of the academic year and suchlike.

Plus I know you have more than just my maps to place in the Atlas currently!

Debris on the lower floors looks a little flat; as if it's part of the floor itself, not sitting on it.

Also, if the structure is stone, the fractured edges look odd. Generally, if damaged, you'd expect entire stones to drop out, or parts of individual stones, as well as leaving surface damage to those that survive. The very fiddly raggy edges that cut slightly into neighbouring stones and wander across others look very unnatural. Right now it looks very like the floors are made of thin sheets of acetone-melted expanded polystyrene.

That impression is also reinforced by the lack of stone debris on the floors below; it just seems to have vanished.

You might want to tweak the shadows on the upstanding parts of the battlements; it's strange to have the same length of shadows from them on the ground as on the roof, as if the roof's floor is actually level with the grassy surface, and the tower's interior is really below ground.

I can confirm the problem Quenten reported. At a guess, it may be to do with the CA187_MediumIslandChain.esc file (I'm not familiar with the file type, so don't know what to open it with to check). That's the file being accessed by the macro that runs the drawing tool, at least, and it seems to be the main difference between the three Island Chain drawing tools from a quick look.

You can just use one of the basic landmass drawing tools in the style to do this. Note you can also delete individual islands and replace them this way (as I just did a quick test doing precisely that).

Yep, there's a steep learning curve when starting out with CC3+, but you will find it quickly gets easier with experience.

Glad things managed to get sorted out for you with this one though.

Keep up the mapping!

Not sure what's happening with your scrolling crash problems, as I'm not finding that. Hopefully someone more technically adept can comment usefully about it, however.

The Island Chains rely not simply on drawing tools, but on a whole host of Sheet Effects. You can find those by looking at the LAND Sheet when you have either the Outer Hebrides or Shining Pearls example maps open. Pages 5 and 6 of the PDF mapping guide explain how you can import those correctly into a different style, and although the Jon Roberts style is used as the example, it should be similar in other overland mapping styles, like the Mike Schley ones, although you'll probably need to adjust things in somewhat different ways than for the Jon Roberts style.

Oh, and a minor aside for @Ralf - I just noticed that the BITMAP Sheet is still present in the Outer Hebrides example map; just gives a big red "X", of course, but maybe best removed if the Annual issue's being updated for the installer?

You should have done some of the isles as if spiralling in to the whirlpool as well, maybe.😵

Interesting to see the "bo(u)lder" approach you took to the hedge shadows problem 😁